Marina Abramović – Entering The Other Side
“What If Choreography is a dialogue between everybody and everything, that is involved (in it)?” (Durning, 2013)
How can I demand the attention of the audience?
How can I connect with an individual I have never met before without the use of any words?
How can I keep their attention, is the connection lost if they look away?
Is their an invitation or a willingness from the audience to want to make eye contact with me, or is this too uncomfortable for them?
Do I want them to feel comfortable or is my intention exactly the opposite?
Do I want to constantly have a connection with only people, or could it be animals or inanimate objects?
Am I trying to provoke the audience, to draw their attention to something else?
How long is too long? Just because I have my attention span seems to be drawing to its end, does the audience feel the same?