My work, although it still has the same focus, has changed throughout the creative process. Due to the physical demand of the nature of silk work on the body, I have had to shorten the length of the piece. My original intention was for the work to have a duration of 3 hours. However I […]

One of Marina Abramovic’s main aims was to interact with her audience. In my opinion much of her work strives to cause a reaction from the audience, whether that is shock, discomfort, awe or empathy. In arts such as television or film, there can be no instant connectivity or interaction with the audience. However with […]

Time governs every aspect of our life, whether we allow it to or not. Time still passes, we cannot stop it, slow it down, or reverse it.  As Henri Bergson states in Matter and Memory (1896) “What I call ‘my present’ has one foot in my past, and one in the future.” Our present is […]

The Body As Archive: Will to Re-enact and the Afterlives of Dances – André Lepecki “Rather than think of re-enactments as conceptual frames for a choreographer’s “inevitable” failed efforts to succeed in copying an original fully. I would like to propose the will to re-enact as a privileged mode to effectuate or actualise a work’s […]

In keeping with the idea of Alice in Wonderland (1951), and Alice Through the Looking Glass (1871), I have been looking at Alice in Wonderland quotes and the possibility of using these recordings as a soundscape for the performance, possibly to be intertwined with religious scriptures or prayers. Below are some of the quotes I have […]